Representaciones dramáticas de la conquista: el pasal servicio del presente
DOI:
https://doi.org/10.3989/revindias.1992.i195-196.1151Abstract
This article reconsiders, from a historical perspective, the common interpretation of the «dance of the conquest» according to which it was an example of political resistance on the part of the indigenous population and of what has been called the «Andean Utopía».
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